Exhibition: Yayoi Kusama: Narcissus Garden
1st May – 30th November 2016, Glass House, United States of America
DATE: 30/11/2016
"The Glass House is pleased to present Yayoi Kusama: Narcissus Garden, a landscape installation that will be on view throughout the 2016 tour season to celebrate the 110th anniversary of Philip Johnson’s birth and the 10th anniversary of the opening of the Glass House site to the public. First created fifty years ago in 1966 for the 33rd Venice Biennale, this iteration of Narcissus Garden will be incorporated into the Glass House’s 49-acre landscape.
“We are honored to be working with Yayoi Kusama, an artist Philip Johnson both admired and collected. This exhibition playfully engages the entire site, creating a celebratory mood for Philip Johnson’s 110th birthday and the 10th year since the opening of this museum,” said Irene Shum, Curator and Collections Manager at the Glass House.
Narcissus Garden, comprising 1,300 floating steel spheres, each approximately 12 inches in diameter (30 cm) will be installed in the Lower Meadow and forest, creating a dramatic view to the west of the Glass House. Drifting in the newly restored pond, the spheres will move with the wind and follow the pond’s natural currents, forming a kinetic sculpture. Their mirrored surfaces will reflect the surrounding Pond Pavilion (1962), wooded landscape, and sky.
The Glass House will also install Kusama’s recently created enormous steel PUMPKIN (2015).
The placement of PUMPKIN will be on the hillside meadow, east-northeast of the Brick House (1949), on a concrete sculpture footing where Ellsworth Kelly’s Curve II (1973) was once installed. “The first time I saw a pumpkin was in a farm in elementary school. In Japanese, a ‘pumpkin head’ is an ignorant man or a pudgy woman, but for me, I am charmed by its shape, form, and lack of pretension.” says the artist.
Dots Obsession – Alive, Seeking for Eternal Hope will be a special installation for a limited time, September 1 through 26, where Kusama will create an infinity room experience with the Glass House itself covered with polka dots.  Visitors who attend the exhibition during this period will be offered the unique experience to simultaneously see the world through the eyes of both Philip Johnson and Yayoi Kusama.  The Glass House’s window walls and doors allow the artist to create a one-of-a-kind signature “infinity room.” The polka dots directly engage the architecture of the Glass House, complementing its structure and aesthetics, breathing new life into the house.  For Kusama, the polka dot represents an individual, its own universe. Similarly, Philip Johnson created his own private universe at the Glass House, sculpting every aspect of landscape experience into his own universe."

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